The Financial Times



Client: The Financial Times
Project Name: FT Weekend Magazine: AI Will Tear Us Apart 
Industry: Editorial
Category: Illustration


For the FT Weekend Magazine, we illustrated the 2023 Easter weekend headliner story written by Ian Hogarth, a tech investor and early advocate of AI. He writes about the threat AI poses to humanity if it is not controlled. Commissioned for an opener image, 4 spot illustrations and several hand-drawn charts to be used for both digital and print. The brief was to 'create something ominous with terrifying unknown power - creepy and awesome in an abstract way'.



Art Direction: Shannon Gibson 


The New York Times



Client: The New York Times
Project Name: The New York Times Book Review 
Industry: Editorial
Category: Illustration


We worked on a spot illustration for The New York Times Book Review of "Ascension", a novel by Nick Binge. The 'horror-tinged speculative thriller' follows a physicist, Harold Tunmore, who is roped into an epic journey up a newly discovered mountain in the middle of the pacific ocean, entrenched in sci-fi phenomena.

Art Direction: James Blue 


Knack



Client: Knack Magazine
Project Name: Knack Magazine
Industry: Editorial
Category: Illustration


Knack is a Belgian Dutch-language weekly news magazine covering local news, politics, sports, business, jobs, and community events. We were commissioned to illustrate the cover story for several issues. The first story was about the addiction crisis of "Benzodiazepine Pills". The second was on "Male Emancipation". The third story spoke about "Hyper-sensitivity". The fourth story reported on "Why Dictators Hate Gays".

Art Direction: Michiel De Smet 


Are We Europe



Mayday Magazine, Issue 2: Fear of Others



Client: Are We Europe and BOZAR Centre for Fine Arts 
Project Name: Fear of Others [Issue 2: Mayday Magazine]
Industry: Editorial
Category: Illustration


Mayday Magazine is collaboration with Are We Europe and BOZAR Centre for Fine Arts. BOZAR, is a company governed by public law with a social purpose that notably organises concerts, exhibits, shows, projections of films and events of an educational, cultural and artist nature. At the crossroads of journalism and art, Mayday Magazine was born when the debates BOZAR had planned to coincide with the 70th anniversary of the Schuman declaration—a precursor to the European Union—were cancelled due to the pandemic. They chose to make a printed magazine to mark this crucial moment instead.

This piece is currently long-listed in the Editorial category for the World Illustration Awards 2022. The shortlist will be announced in September 2022.


Issue 12: Online Lies, Offline Lives



Client: Are We Europe
Project Name: Taking the Black Pill [Issue 12: Online Lies, Offline Lives]
Industry: Editorial 
Category: Illustration


Produced by a cross-border collective of journalists and creators trying to bridge the local, Are We Europe is a national and transnational magazine, offering personal stories, unapologetic social critique and analysis of where the hell this is all going. Issue 12: Online Lies, Offline Lives takes the theme of Disinformation by exploring the offline consequences of online lies, and how it feeds on our personal experiences and deepest-seated emotions. QAnon, incels or the anti-vax movement—one way or another, many of us are driven into these parallel realities by the feeling of isolation and a need for community. Our article by Alex King takes an insight into online incel communities and how they can foster dangerous behaviour amongst young men.


Issue 11: The Queer Issue



Client: Are We Europe
Project Name: So, What Were the Colours of Your Bedsheets? [Issue 11: The Queer Issue]
Industry: Editorial
Category: Illustration

Issue 11: The Queer Issue gathers stories from around Europe, taking a journey through the contemporary European LGBTQ+ landscape. From a critical analysis on how "free" Europe really is for those on the rainbow-coloured spectrum, to a celebration of the people and ideas reimagining our society. It dives into the often-ignored aspects of gender and sexuality. Written by Patricia Alonso, this article highlights the dangers that LGTBTQ+ asylum seekers face across Europe, how unfairly and inappropriately they are treated to prove their sexuality in order to find safety and stay alive.


Issue 7: The Silver Lining



Client: Are We Europe
Project Name: Privacy Pitfall [Issue 7: The Silver Lining]
Industry: Editorial
Category: Illustration

Issue 7: The Silver Lining gathers solidarity, creativity and compassion in times of crisis. Stories from around the continent that pinpoint solutions and offer hope in the dark hour. These stories showcase the pandemic’s silver lining: the people, places and politics that are brightening our days and lifting our spirits. And those helping us adjust to—but also rethink—the “new normal”. Privacy Pitfall written by Torben David questions whether the pros of contact-tracing technology are worth sacrificing our privacy. In the Corona age, technology is enabling our social life to flourish online, and transforming the work life—no longer a convenience but an essential lifeline.

Creative Direction: Eddie Stok 

Where The Leaves Fall



Client: Where The Leaves Fall
Project Name: Nature in the Digital Age (Issue #10)
Industry: Editorial
Category: Illustration


Where The Leaves Fall is a magazine exploring humankind’s connection with nature through the intersection between social justice and the environment, art, science, culture, philosophy and food. In 2022 we have been commissioned a series of four illustrations to accompany an article about the relationship between humans, technology and nature, written by Kalpana Arias. We are living in an age of unprecedented urban and technological growth. According to UN figures, by 2050 urban populations are expected to increase from 55% to 68%, with an additional 2.5 billion people residing in urban areas. As the world continues to urbanise, sustainable and ecological urban development will depend on our ability to restore our connection to the land around us - working with nature rather than against it.




Commissioned by: Luciane Pisani